Dripping Paint  

Dripping Paint – How to paint with the Dripping effect?

The technique became known in particular through the American painter Jackson Pollock. Pollock primarily created large-format works for which the canvas was laid on the floor. The paint was applied with large brushes or dripping and spinning directly from paint containers. Another more extreme form of drip painting is the bulk pattern, like Hermann Nitsch and Josef Trattner’s works.

However, drip painting was to find particular expression in the artists Janet Sobel and Jackson Pollock of the mid-20th century. Pollock found the dripping paint to his liking; then, he would use the technique almost exclusively, using unconventional tools like sticks, hardened brushes, and even syringes to create large, energetic abstract works.

The house paint was less dense than traditional oil paint tubes, and Pollock created his large compositions horizontally to prevent his painting from running. His gestural lines create a unified overall pattern that allows the eye to travel from one of the canvases to another and vice versa.


For the dripping, Jackson Pollock used opaque enamels and achieved those effects of painting so stretched in all directions he was capable of anything. Climb in height, step on the work, jump on top of it and even paint suspended in the air over the work.

To anyone who wants to delve into both the dripping technique and Jackson Pollock’s character, we recommend the documentary “Pollock, The Artist, and the Myth,” where you will find details about the life and particular philosophy of the famous American artist.

Graffiti art is multifaceted, and in it, as in any other art, there are several directions. To be able to draw in all directions is quite difficult and not at all necessary, although some professionals believe that a true master should be able to do everything. So what are these directions?

  • Tagging – putting your own signature (tag) on ​​walls, carriages, other surfaces you like. It can be either one word or a whole phrase. Tagging is the ancestor of modern graffiti that originated in the 70s in New York.
  • Scratching – putting your own tag on the glass. This direction is similar to the previous one, but in the latter case, the inscription is made not with paint but with a stone (mainly for sharpening knives) or, for example, with coarse sandpaper on glass. It is impossible to erase or delete such a drawing (scratch), which is perhaps its only plus.
  • Bombing – fast drawing on any surface. The main thing here is speed; everything must be done as quickly as possible. Actually, bombing is illegal, and those who “bombard” run the risk of being hit by a police “bobby,” and therefore they draw mostly at night when no one sees them, and of course, they do it very quickly.
  • Realism (photoreal) – as the name implies, this direction implies the most realistic drawing on the wall; it can be either a portrait or an image of a car or an airplane. The drawing is obtained as close as possible to living.
  • Concept drawing is the most difficult direction in graffiti, somewhat similar to traditional painting. These are complex works that combine both inscriptions and drawings. Most often, the execution of such drawings is legal, as it requires a large amount of time and money.

Draw stylishly

In addition to directions, there are also graffiti styles. Here are the most basic:

  • Old School – simple styles are closer to the classics.
  • Flat – flat drawing. Drawing in this style, the work becomes flat, not three-dimensional; the letters overlap each other. Usually, they paint in two colors and do not detail the picture.
  • Bubble style – the history of the name of this style is very long. The name comes from the first drawings, the letters on which looked like huge bubbles. This is the name of all simple graffiti, no complex elements; the color range is usually limited to two or three colors. The letters do not overlap each other; sometimes, they are depicted in a “volumetric” style. This style of graffiti is mainly used for bombing. Simple and fast, as they say.
  • Blockbusters and Throw-up – here, size matters. The lettering in this style is huge. A roller and wide caps are used to draw them.
  • Newschool – more modern and sophisticated styles.
  • Wild style – a style of high complexity. The interlacing of letters creates complex and original patterns; there is a certain illusion of three-dimensionality; details make it difficult to understand the pattern, a huge variety of colors. All this leads to the fact that not everyone can understand the drawing, the most difficult thing is for people not familiar with graffiti.
  • 3D-style, FX-style is a combination of styles. The letters are given three dimensions; they differ in shape, size, and location relative to the coordinate axis; the emphasis is on the shadows.

Many graffiti artists use objects in addition to inscriptions in their works. The object can flaunt in the picture, replacing one letter, or be present in the picture in addition to the inscription.

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